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Sherlock Holmes is dead. Or so it is assumed. The world knows the great detective went over the falls at Reichenbach with his nemesis Professor Moriarty. But as Holmes’ body was never retrieved, a number of frauds, fakes, and charlatans have come forward since to lay claim to his identity, and it falls to Dr. Watson to disprove them. Then a telegram arrives informing Watson that three men, each claiming to be Holmes, have been committed to a remote asylum off the coast of Scotland. Now Watson must discover if one of the mad men is the real Sherlock Holmes.

After stumbling upon an outdoor production of a Shakespeare play in Manhattan, Long Island landscaper Bob Malone returns home inspired to write a play about his troubled marriage. He hires two reluctant New York theatre professionals to spend a week at his home and stage the play in his garage, with a cast of colorful locals. The Groundling is a comedy exploring the meaning of the final moments of Shakespeare’s Love’s Labour’s Lost, and how the power of theatre can affect the most unsuspecting, and perhaps most deserving, of us all.

In just 24 hours, starting Friday night at 8PM, teams of actors and writers come together to create a short play. They are given certain parameters to meet and then the craziness begins! They write, direct, and rehearse in preparation of presenting their original works for you at 8PM on Saturday. Plays can be about anything and everything so be prepared to sit back and enjoy whatever comes your way!

Eddie and Dave run Fondest Wish, a young startup that grants wishes to terminally ill children. Journalist Anna Ebersole is assigned to them as they grant a wish for a young boy named Chase. But, when the wish goes wrong the group has to improvise, while Anna and Chase's mom confront whether he understands what's happening, and whether it matters.

When wealthy widow Mrs. Tottenham hosts the wedding of the year, she gets a lot more than a write-up in the society pages: Janet Van de Graaff, glittering starlet of Feldzieg’s Follies, is leaving the stage for love, a turn of events which horrifies the angry and anxious Mr. Feldzieg, whose chief investor has sent two gangsters disguised as pastry chefs to make sure he stops the wedding. Hiring Aldolpho, a Latin lover more vain than virile, to seduce the bride, is unsuccessful, as Janet’s chaperone, a drunken diva, gets herself mistaken for the bride and seduced in Janet’s place. It is left to the eager best man, George, to quite by accident break up the happy pair, when he sends groom Robert Martin out to the garden, blindfolded, and in roller skates. Such are the antics of The Drowsy Chaperone, a fictitious 1928 musical comedy. This magical piece of meta-theatre and playful, heartfelt parody of the 1920s musical comedy features a chirpy jazz age score by Lisa Lambert and Greg Morrison, and a lively, clever book by Bob Martin and Don McKellar, both of which were Tony winners in 2006. The score boasts such tunes as the scenery-chomping “Show Off”, the sizzling and silly “I Am Aldolpho”, the double-entendre laden “Toledo Surprise”, and “As We Stumble Along”, that rousing anthem to optimistic alcoholism.